The archives of the SFTJF center around the Turk Murphy Collection with smaller sub-collections of band leaders, Lu Watters, Clancy Hayes, Wally Rose, Bob Helm, Bob Scobey, Charlie Sonnastine, and Hal Smith, which were collected from the musicians and donated to Stanford in 2007. The collection consists of 195 boxes of various formats of archival materials, 6 boxes of instantaneous disc recordings, and 76 folders of large posters and art works. The archival materials consist of disparate types: writings by the musicians, letters, music manuscripts, business and legal documents, contracts, awards, certificates, concert programs, promotional materials (flyers, pamphlets, posters), booking records, appointment and address books, news clippings, realia and memorabilia, and photographs. There are several sets of scrapbooks or three-ring notebooks organized in chronological order for each of the most important musicians in the collection: Turk Murphy, Clancy Hayes, Wally Rose, Carl Ravazza, and Lu Watters. Another set of notebooks comprise a subject file of the same type of materials but arranged in alphabetical order. The notebooks are well organized and will be of prime interest to anyone doing research in the collection. The music manuscripts comprising all of Turk Murphyâ€™s original arrangements and also some arrangements by the other musicians are of high research value. At least 14 boxes are photographs in addition to the photographs interspersed throughout the archival collection. There are 56 boxes of reel-to-reel audio tapes and cassettes primarily of unique, live performances in addition to the instantaneous discs and one box of video recordings and three films. The collection documents all aspects of the musical and business careers of the musicians, including the operation of Murphyâ€™s club (Earthquake McGoonâ€™s), concerts, tours, recording sessions, music festivals, public relations, advertising, etc.
Board of Trustees of the Leland Stanford Junior University
Mr. Michael Keller
1938 - 1938
The San Francisco Bay Area is central to the development of this unique style of traditional jazz. The material is primarily from San Francisco and Oakland. However, the bands enjoyed an international audience. There are materials relating to tours to Europe and Australia, performances in New York and similar locations.