Located in eight historic buildings in Greenwich Village, the New York Studio School was formed in 1964 in direct response to the pressing need for an atelier-based school where aspiring young artists could learn drawing, painting, and sculpture without distraction. The Schoolâ€™s public lecture program is integral to its mission and belief that developing artists need to be a part of a community of fellow artists, critics, and mentors in order to create meaningful art; and further, that examination of the past, as well as that of contemporary art and theory, is critical to the learning process. The lectures have been recorded throughout the Schoolâ€™s existence and are collectively a vital resource documenting the work and ideas of leading figures in the arts in the context and time in which they were presented. Since its inception fifty years ago, the New York Studio Schoolâ€™s celebrated Evening Lecture Series has presented a broad range of lectures, panel discussions, and dialogues with renowned artists, scholars, and critics, as well as new voices within the visual arts. The content of these lectures ranges from theory to criticism, from individual philosophies of creative practice to the relationship between the various branches of the arts, and from single topic panel discussions to broad historical surveys. The speakers include many of the American and international artists and critics involved in the creation of New York City as one of the premier art centers in the twentieth and twenty-first centuries: visual artists (Louise Bourgeois, Willem de Kooning, Andrew Forge, Red Grooms, Philip Guston, Alex Katz, Lee Krasner, Sol LeWitt, Alice Neel, Julian Schnabel), futurist visionaries (R. Buckminster Fuller), poets (John Ashberry, John Hollander, Kenneth Koch, Stanley Kunitz), musicians (John Cage, Morton Feldman), and art critics (Arthur Danto, Clement Greenberg, Hilton Kramer, Meyer Schapiro, Leo Steinberg).
New York Studio School of Drawing, Painting and Sculpture
Dr. David Randall
New York Studio School
1972 - 1972
All lectures were recorded at the New York Studio School. Most participants come from the New York City area, but many come either from elsewhere in the country (W. S. Di Piero, Michael Fried, Dana Gioia, Nathan Oliveira) or from other countries (Anthony Caro, William Kentridge, Paula Rego, Euan Uglow).